- A filmmaker’s take on movies, TV, and industry trends, from a feminist perspective.
The tradition of the heist film is well known; a charismatic outlaw cleverly evades police, on a spree of robbery and violence until he goes down shooting in a dramatic showdown at the end of the film while shouting his … Continue reading
Agnès Varda’s career as a feminist filmmaker moves from the French New Wave and Left Bank movements to political modernism, portraying with sincerity the lives of women. From her first film, La Pointe Courte (1956), she combines realism with subjective … Continue reading
Chris Columbus’ 2002 film Rent translates the 1996 rock opera into cinematic language. The optimism and hope, combined with harsh social commentary, seething rock ballads and stirring human stories that is Jonathan Larson’s Rent is a challenge to modify for the screen. Using the … Continue reading
Despite Spike Lee’s many talents as a filmmaker, he still has a blind spot when it comes to women, portraying them in the same (or worse) terms as the white patriarchy his films react against. Female characters in his films … Continue reading